The sound film is driven by hand back and forth over a magnetic pick-up head until each part of a word can be identified. The dialogue track is analyzed, and the information is charted up onto camera exposure sheets, sometimes called 'dope sheets' or 'camera charts', as a guide for the animator. Modern computer software, like Audacity or SoundEdit16 have made it easier to accurately analyze dialogue.

They allow the editor to scrub back and forth across the audio file with a visual depiction of a sound wave. Second: production phase Key animation First: background paintingĪfter finishing the background layout process, they are forwarded to a background painter. He paints the layouts according to the color palettes specified earlier by the color stylists in the pre-production phase. The finished backgrounds are then forwarded to the scene setup or compositing team. Here’s some digital background painting done by Golden Street Animation. The animators start creating the actual scenes that make up the animation film, by acting out the different poses and situation that a character assumes in each scene. They combine the model sheets, storyboard, layout and backgrounds defined in earlier processes to produce scenes that put all these elements together in harmony. Timing on animation is based on the exposure sheet, which is sometimes referred to as camera instruction sheet.

It’s a traditional animation tool that allows the animator to provide clear instructions to the cameraman on how each scene is to be shot. The exposure sheet is also used to lip sync the vocals, by scrubbing the audio and specifying exactly where each vowel sound happens on the sheet.

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